Began working on a visual piece called "Three Essays on the Line." Reminded of my attraction to the visual aspect of small groups of words on a single line and my interest in disrupting the vector-like element of this arrangement, its connotation of speed, sleekness, and unidirectionality, which, I admit, I also find attractive. I guess the key though is satisfaction.

The intersection of the visual and the lexical.

This is becoming a refrain, isn't it.